Play Along Piano

Tags

Baroque

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

HWV56N05Y1742 - Mesiah - Thus saith the Lord

edward.maurath

1:40	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	13	0	3	4	94%
Cello	18	0	4	3	94%
Viola	10	0	0	3	94%
Violin I	14	0	2	3	94%
Violin II	13	0	3	3	94%
Violone	18	0	4	3	94%
BC LH	18	20	5	5	90%
BC RH	16	18	5	4	61%

HWV17A2N20Y1724 Cleopatra, "Se pieta di me non senti" in f sharp minor

edward.maurath

7:04	Est. Play Time
51	Measures
	1,747Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	43	8	5	92%
	26	13	8	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	20	43	8	5	92%
	26	13	8	5	100%
Harp Continuo	20	42	8	5	92%
	25	13	7	5	100%
Bassoon Continuo	20	0	6	4	100%
Violins 1 and 2	26	0	10	5	96%
Celli Continuo	18	0	5	4	94%
Contrabass Continuo	18	0	5	4	94%
Violoncello Continuo	18	0	5	4	94%
Violas	16	0	4	5	90%
Violins 3	17	0	6	5	90%
Soprano as Cleopatra	17	0	6	6	73%
Bassoon Obligato	13	0	2	4	29%

HWV56N38 - "How beautiful are the feet" - 1742

edward.maurath

2:24	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	18	0	4	5	96%
Organo	19	51	4	5	92%
	15	22	4	5	92%
Violini	18	0	4	8	92%
Contrabasses	16	0	3	5	76%
Violoncelli	17	0	3	5	76%
Soprano	12	0	3	6	68%
Cemballo	17	25	4	5	60%
	14	13	3	5	60%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

HWV56N10 Behold, darkness shall cover the earth

edward.maurath

2:47	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	42	11	4	96%
	16	4	6	4	100%
Cello	14	0	4	4	100%
Viola	16	0	5	4	100%
Violin I	17	0	5	5	100%
Violoncello Continuo	14	0	4	4	100%
Violone	14	0	4	4	100%
Violin II	18	0	6	4	96%
Bass	14	0	3	8	83%

HWV5A3N03 [Eccello Giove] ... fissi stan la fortuna e il fato

edward.maurath

1:29	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	10	0	2	4	100%
Contrabassi (Continuo)	10	0	2	4	100%
Viola	11	0	3	4	100%
Viole	11	0	3	4	100%
Violin	13	19	4	4	100%
Violini	13	19	4	4	100%
Violoncelli (Continuo)	10	0	2	4	100%
Violoncello	10	0	2	4	100%
Violoncello (Continuo)	10	0	2	4	96%
Rodrigo	13	0	5	3	91%
Cembalo (Continuo)	18	26	7	5	88%
	18	15	6	6	79%

"Nel tuo seno" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

2:34	Est. Play Time
27	Measures
	1,274Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	12	2	6	96%
	17	9	1	5	96%
Harp Contnuo	21	42	3	6	96%
	18	14	2	5	96%
Contrabassi Continuo	14	0	1	5	96%
Violini 1	19	0	2	6	96%
Violini 2	19	0	2	6	96%
Violoncelli Continuo	15	0	1	5	96%
Violoncello Continuo	15	0	1	5	96%
Cornelia Contralto	10	0	2	5	78%

HWV56N06Y1741 - Messiah - But who may abide?

edward.maurath

8:31	Est. Play Time
137	Measures
	1,275Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	24	105	5	5	100%
Violoncello Continuo	22	0	4	5	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC LH	24	105	5	5	100%
Violoncello Continuo	22	0	4	5	99%
HSC RH	21	106	9	5	96%
Vln 1	19	1	6	5	77%
Vcl	22	0	4	4	75%
VNE	20	0	4	4	75%
Vln 2	20	1	5	4	73%
Vla	17	0	3	4	71%
Bass solo	17	0	4	7	64%

"L'empio, sleale, indegno"

edward.maurath

11:04	Est. Play Time
95	Measures
	1,500Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	46	6	4	95%
	28	23	10	5	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	46	6	4	95%
	28	23	10	5	99%
Harp	25	49	7	4	95%
	28	21	10	5	99%
Continuo	26	0	8	5	99%
Vln 1	19	0	4	4	88%
Vln 2	17	0	3	5	88%
Celli	20	0	6	3	82%
Kontrebaß	20	0	6	3	82%
Tolomeo	15	0	4	5	72%
Violas	14	0	3	4	69%

HWV56N52 - If God be for us, who can be against us?

edward.maurath

4:56	Est. Play Time
178	Measures
	1,919Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	83	7	4	96%
	19	39	7	4	93%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	21	83	7	4	96%
	19	39	7	4	93%
Organ	21	83	7	4	96%
	19	39	7	4	93%
Violoncello	23	0	8	6	96%
Violin	29	0	11	8	78%
Violone	22	0	7	4	72%
Cello	22	0	7	4	71%
Soprano	17	1	7	10	65%